This series plays like jazz on a small stage: a tight structure with room for improvisation.
Lines, numbers, and lanes set the rhythm; pauses become space.

Repetition sets the pulse, and subtle shifts create syncopation that holds everything together.
Shot in a parking garage, everyday markings turn into graphic elements – figure and ground, edges, negative space. High-contrast black-and-white reduces each frame to line and tone: crisp highlights, deep blacks, and deliberate intervals. By choosing vantage point and distance carefully, the composition stays calm, allowing the subject to enter as an element rather than a topic.

Across the sequence, perception moves from orientation to abstraction: readable signs become pure geometry; typographic numbers turn into line and surface. Seen in order, the images form a quiet arc – echoes, pauses, and clarifications of structure. No staging, no spectacle; only position, light, and moment. What remains is a graphic tempo that turns the ordinary into a precise, dynamic composition.